I would core it for sure.First attempt at a burly. Deciding if I should attempt to take a core before finishing inside.
Love it!Here’s the conclusion of the little bowl re-work from post #885 a little while back. I used a rotary tool and a fine ball burr to deepen the flutes so I could add some fine pyro texture to the high spots and still retain a nice grooves texture. I also textured the rim in a very random way and added pyro texture to the high spots. Smoothed the flutes and grooves with a fine round riffler. I also decided to round the bottom, but left a small concave spot so the bowl would sit level. It’s not perfect, but I think the piece was transformed from something clunky to something pretty pleasant. Onward!
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WOW! Your shop is really nice and clean. The piping looks great.Not on the lathe, but close by and related. I just finished piping in a new dust collection leg and drop for a floor sweep to make clean-up a bit easier. I have a take-off for a fine dust collection hood just above the floor sweep. Still have to work on that part a bit. Piped with Nordfab Quick connect pipe - great product and easy to install solo. It is a bit pricy, but given the ease of changing the ducting, worth it IMHO! Next up some curtains to contain the chips to the lathe area, and a ceiling filter to collect least some of the fine dust the hood misses.
Cheers.
Barry W. Larson
Calgary, Alberta, Canada eh!
Looks great!My version of a wobble bowl. The one where I shouldn't have picked at the knot.
I like fill on the "knot-hole" it seems to add something - a certain "je ne sais quoi" to the bowl. Sort of like an emerald peeking out of its host shale....My version of a wobble bowl. The one where I shouldn't have picked at the knot.
I really like the slight outward sweep near the lip of that bowlFirst time turning a bowl in a month and a half. Definitely had to knock off the rust. Black Oak calabash.
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Thanks Kent!I really like the slight outward sweep near the lip of that bowl
Something you may want to experiment with. Powdered aniline dyes for oil based finishes. I use lacquer thinner and naptha to dissolve the powder, then mix directly with poly or oil finishes.the ink is shellac base, so quickly seals the surface. I want something to go deeper to penetrate for a more durable finish.
Its all just one big experiment!
Very cute!Was asked for one of these. Forgot to grab a pic of making the nose.
Mom said there would be days like this. Cut it out and glue in more wood. Turn it into a nice contrasting base.Was working on a thin Black Cherry calabash, and misjudged the bottom thickness. Didn’t go through, but might as well have. Can’t win ‘em all. Wonder if I can save it with some embellishment? Kidding, kidding…
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I’m just going to let it go. Fancy firewood for when the weather gets a bit coolerMom said there would be days like this. Cut it out and glue in more wood. Turn it into a nice contrasting base.
I've been wanting to try Aqua Fortis on one but haven't gotten around to it.I’m just going to let it go. Fancy firewood for when the weather gets a bit cooler
It was sort of an experimental one anyway (consoling myself!). I fumed it with ammonia for a couple of hours and got these cool stripes (oiled because I was curious).
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You just sent me down a rabbit hole. I wasn’t familiar with aqua fortis. Some rich colors you can achieve on cherry! I guess it’s a pretty popular technique in the gun stock world?I've been wanting to try Aqua Fortis on one but haven't gotten around to it.
It was popular in the 1700's It is made from steel dissolved in nitric acid. The dissolved solids embed themselves in the grain where it's open resulting in a darker color. Turns the wood green. The color is achieved by "blooming" with heat. I used a heat gun for this. This example has two coats of AF before blooming.You just sent me down a rabbit hole. I wasn’t familiar with aqua fortis. Some rich colors you can achieve on cherry! I guess it’s a pretty popular technique in the gun stock world?
Aqua fortis is especially effective on curly maple -- originally used on the gunstocks of long rifles. John Keeton introduced me to aqua fortis. I've taught turning classes at the Folk School for some years. He used to build long rifles and used aqua fortis. On curly maple it makes the curl spectacular. We've used it in some of the classes when some curly maple has been available.You just sent me down a rabbit hole. I wasn’t familiar with aqua fortis. Some rich colors you can achieve on cherry! I guess it’s a pretty popular technique in the gun stock world?
The heat treatment is crucial. Before you get the beautiful browns and golds, it goes through some really hideous shades of pink and green. My reaction is generally "OH NO -- what have I done????" Then more heat makes things great.It was popular in the 1700's It is made from steel dissolved in nitric acid. The dissolved solids embed themselves in the grain where it's open resulting in a darker color. Turns the wood green. The color is achieved by "blooming" with heat. I used a heat gun for this. This example has two coats of AF before blooming.
I would pour in a layer of alumilite and turn it back down to a good thickness.Was working on a thin Black Cherry calabash, and misjudged the bottom thickness. Didn’t go through, but might as well have. Can’t win ‘em all. Wonder if I can save it with some embellishment? Kidding, kidding…
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I just did the same thing on a white oak bowl, I tried to fix it but was too thin so I used it for experimenting with burning the grain and fuming. It makes for good practice pieces for finish and embellishmentWas working on a thin Black Cherry calabash, and misjudged the bottom thickness. Didn’t go through, but might as well have. Can’t win ‘em all. Wonder if I can save it with some embellishment? Kidding, kidding…
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Oh no! Amazing how you can just zone out and then....whoops! Lol. That's a bummer you had a lot of time invested already, but like you said, not worth getting too worked up about. There's always the next oneI blew through the side of this one while gleefully enjoying how wonderfully my gouge was cutting!?! I unfortunately had spent far too many hours hand carving the outside. I amazingly didn't get very upset as I knew it was not fixable and just one of life's moments out of my control. (This time!)
I keep it on my shelf as a gentle reminder
This is the way.I’m just going to let it go.
The term you need for this situation is "artisanal firewood"Fancy firewood for when the weather gets a bit cooler
It’s usually easier and more rewarding to make another rather than fix a big errorI’m just going to let it go. Fancy firewood for when the weather gets a bit coole
Michael, you display the appropriate attitude toward the learning process. Those of us who are learning turning skills often learn by observing what we did differently than we did previously when we have successful experiments as well as by observing what we did wrong when things don't go well. If we are able to accept our less than successful projects, and try again rather than be defeated, because we spent a lot of time and effort on something that didn't meet our goals , we will improve our skills. And as we observe improvements, we also enjoy the process. I look forward to seeing your next attempt because you are not afraid to push the envelope. When you succeed the pieces are very artistic. I am inspired by both pics of your turnings and by your thoughts on various threads.Can’t win ‘em all.