Mike,White oak. This is the biggest I have attempted. I was able to get it trued up today. Next time I will work on shape.
I really need to work on my interrupted cut skills! At 300 rpm I found it really hard to keep the gouge steady. Anyone have any pointers?
Does the pattern match both sides on the squat one? Either way that one is going to look awesome finished with the pattern up from the bottom like that!I have been roughing out some Ambrosia maple hollow forms/urns. This tree has spectacular colour but it must have been home to an old tree fort. I think I have found at least one nail in every piece I have turned from it so far, including one deep inside the taller vessel. Luckily they have all been relatively small. The black stain from the iron is a good indicator that there is a nail or some kind of iron is in there when you are working on the outside of the wood, unfortunately there is no warning when you are hollowing until you hear the unmistakable tick-tick-tick.
Robo,Dave, that riser set up you have does not look steady. I put my 3520A up on a 4 by 4, and drilled a slight recess into the top for the leveling feet to go into. Your set up looks to be 6 to 8 inches high, so that would have been a 4 by 6 or 4 by 8. That high up, I would have put cross bracing up as well.
robo hippy
Nope, growth rings too far apart for hickory.Hickory?
It does look like Siberian Elm with the light and dark grain and wide year rings, but the zigzag wwww are not there that I can see, though some does look like, and no I have never turned Sweet Gum, or else I would probably known it.View attachment 52145
Making either stools or plant stands....haven't decided which yet. This blank was 12/4 with a lot of checks and defects on both sides. Was able to turn off enough wood to get a defect free blank. Wiped on a little mineral spirits to see which side I wanted to meet your bottom side. If your the first to correctly guess the species, I will pay for a night stay in the Nob Hill Arkansas Hilton!
Is that a USC Trojan logo?finally got to get back to the lathe. 18" diameter walnut. largest I've ever turned. first time turning completely with the headstock pivoted 180 and using the outrigger. will post it to my album when finished
You use a dovetail with your "c" jaws or you have changed them out?Some progress on the Torreya bowl I posted yesterday. Going for a traditional calabash form. The Torreya is forcing me to take......my......timmmmeee. The wood is dry, super soft, and really prone to intense tearout. An insult to John Jordan, for sure. That said, despite the difficulties, the grain is really beautiful. Shellac, a spindle detail gouge, and sheer scraping with my 3/8" bowl gouge is the combo that gets me clean cuts. I did some preliminary sanding at 150g to check on the form. Still a little bit of work left to do on the bottom as well as the top 1/4 of the bowl. Then on to the interior. I'm getting there, slowly but surely.
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I do use a dovetail with the C jaws. A little bit more of a relaxed angle than with proper dovetail jaws. Mostly out of habit, but I do feel like I get a better grip/bite with the stepped jaws if the angle is less than 90 degrees. Of course, the flat shoulder is the most important thing.You use a dovetail with your "c" jaws or you have changed them out?
You are a brave man Michael, a dry Cedar/softwood into a deeper bowl, certainly not suitable for scrapers IMO and course sandpaper is not kind to this soft wood, and yes you will need to take your time.Some progress on the Torreya bowl I posted yesterday. Going for a traditional calabash form. The Torreya is forcing me to take......my......timmmmeee. The wood is dry, super soft, and really prone to intense tearout. An insult to John Jordan, for sure. That said, despite the difficulties, the grain is really beautiful. Shellac, a spindle detail gouge, and sheer scraping with my 3/8" bowl gouge is the combo that gets me clean cuts. I did some preliminary sanding at 150g to check on the form. Still a little bit of work left to do on the bottom as well as the top 1/4 of the bowl. Then on to the interior. I'm getting there, slowly but surely.
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Thanks, Leo--it's certainly an adventure! The splits were there from the get go, unfortunately. Less than ideal--normally, I would turn them away, but in this case, given the rarity of the wood, I'm just going to deal with them. The exterior has been challenging enough, and I suspect the interior will be even more so. I'm planning to do the bulk of the hollowing and then finish with a Hunter Badger. I think that will give me the best chance at a clean interior.You are a brave man Michael, a dry Cedar/softwood into a deeper bowl, certainly not suitable for scrapers IMO and course sandpaper is not kind to this soft wood, and yes you will need to take your time.
I see some splits in it already, my experience is that Cedar does like to do that, anyway good luck, and oh ja be careful with oils as a finish, the soft wood will like to soak it up like it is going out of stile
I hope you will get a beauty, I'm waiting for it.
Nice work and beautiful lathe!A piece of straight- grain madrone that’s been hanging around as a roughout for far too long…
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As an aside - I’m in the same camp as Neil. At least 90% of the bowls I turn are footed. An open form bowl with a beautifully flowing curve from rim to foot appears to float above the surface it’s on - anchored only by the well executed foot. Its an illusion not shared by a footless form. Rant concluded…