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What’s on your lathe?

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I’ve been told my hollow form vases are lacking on shape. Do you think this one is too fat at the top?

Ignore those that have been telling you that your hollow forms are lacking in shape. I have particularly noted your hollow form shapes and overall they would get a distinction grade in my art and design classes (I was a lecturer in the art depart of a large university... :))

This latest piece references historical ceramic forms and it will be interesting to see the embellishment you have in mind for it. My subjective opinion on the shape is that it is approaching the limit of how full the form can go on such a narrow foot, but it is good to see you experimenting with your forms.

There are formulas for forms that some follow and they are OK for those who need them, but others are able to find their own path and discover new forms that delight our senses while breaking the so-called rules!
 

hockenbery

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my hollow form vases are lacking on shape. Do you think this one is too fat at the top
You develop your forms to what looks good to you. They look pretty good to me.

a couple of things I do in turning many of my forms

1. I position the widest part either a 1/3 from the top or a 1/3 from the bottom - poor man’s golden mean
Sometimes at center.

2. I try to avoid flats. Rolling a straight edge over the surface of a curve with a light behind will touch at one point. On a flat it touches the length of the flat.

3. I try to have a curve at the bottom of the form to avoid the hard look against the table. A lot are footless.

4. I use a recurve on some rims and try to favor convex curves on the form to emphasize the sense of volume.
 
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Ignore those that have been telling you that your hollow forms are lacking in shape. I have particularly noted your hollow form shapes and overall they would get a distinction grade in my art and design classes (I was a lecturer in the art depart of a large university... :))

This latest piece references historical ceramic forms and it will be interesting to see the embellishment you have in mind for it. My subjective opinion on the shape is that it is approaching the limit of how full the form can go on such a narrow foot, but it is good to see you experimenting with your forms.

There are formulas for forms that some follow and they are OK for those who need them, but others are able to find their own path and discover new forms that delight our senses while breaking the so-called rules!
Thank you. I’m still working on shapes and always looking at hollow forms online. Funny you should mention ceramic forms as I draw a lot of inspiration from ceramic art.
 
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You develop your forms to what looks good to you. They look pretty good to me.

a couple of things I do in turning many of my forms

1. I position the widest part either a 1/3 from the top or a 1/3 from the bottom - poor man’s golden mean
Sometimes at center.

2. I try to avoid flats. Rolling a straight edge over the surface of a curve with a light behind will touch at one point. On a flat it touches the length of the flat.

3. I try to have a curve at the bottom of the form to avoid the hard look against the table. A lot are footless.

4. I use a recurve on some rims and try to favor convex curves on the form to emphasize the sense of volume.
Thank you for the advise, I’ll keep that in mind on the next one. This one may look a little fat at the top but I had an idea floating round in my head and thought this shape would be the best to try it on.
I taped up one side with painters tape and drew my design out to see wha tit would look like. The top rim will be cut and a flowing curve will go down halfway or two thirds of the form. I plan to texture and and color trout side the curve to give some depth. Looked good drawn on the tape but will wait till it’s had a chance to dry before starting.
I can’t get better if I don’t try new things and step out of the comfort zone😁
 
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I've been taking a break since the scenic drive (local craft fair thingy) and decided it was time so I drug a rough turned catalpa off the shelf for S & G. This is the result. I'm a little rusty but I got to try out my new crown texturing tool which didn't like the soft catalpa so I finished it off with a little 3mm iwasaki file.

9 x 3.5 first coat of wipe on. I don't know how you guys get by with just a couple coats of this because I seem to have to put 5-6 to get a decent look.
 

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Birch hollow form on the late today. Should finish at 10-1/2” tall and 8-3/4” wide. This is an experimental piece as I have a plan for embellishment, thus the reason for the thicker rim on top.
I’ve been told my hollow form vases are lacking on shape. Do you think this one is too fat at the top?

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I'm kind of late giving a reply to this but here's my .02. When I'm trying to decide on shapes for bowls or whatever I might be making I will go to the kitchen and look in the cabinets for bowls, plates, cups, etc to get ideas for shapes or look at ceramic vases my wife has sitting around. Another thing I keep in mind is @hockenbery comment on thirds and halfs for placing the thin/thick parts of an item. He's posted this formula before and it is a good guideline. A lot of times I think thinner is better when I'm working on a shape. It has to be something you like in the end or it's not fun. I made a set of end tables about a year ago and it took me quite a lot of turning to get where it looked ok even after I made a full scale drawing. Sometimes that helps too, make a full size cardboard template.
 
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Birch hollow form on the late today. Should finish at 10-1/2” tall and 8-3/4” wide. This is an experimental piece as I have a plan for embellishment, thus the reason for the thicker rim on top.
I’ve been told my hollow form vases are lacking on shape. Do you think this one is too fat at the top?

View attachment 68822

View attachment 68821
When you turn something like this, do you turn the whole log? Is the center heart in the core, or do you have a section of log that large?
 
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When you turn something like this, do you turn the whole log? Is the center heart in the core, or do you have a section of log that large?
Yes, this was a whole log for end grain turning. It started at 12-1/2” diameter and I tried to turn all the sap wood off of it. This is around my 12th hollow form so still learning and working on shapes.
 
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Birch hollow form on the late today. Should finish at 10-1/2” tall and 8-3/4” wide. This is an experimental piece as I have a plan for embellishment, thus the reason for the thicker rim on top.
I’ve been told my hollow form vases are lacking on shape. Do you think this one is too fat at the top?

View attachment 68822

View attachment 68821
Lacking in shape? Not to my eye for what it’s worth.
 
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