Steve Worcester
Admin Emeritus
If I remember correctly, the summation that the alcohol was not penetrating deeply was based on one persons observations of the depth of staining by immersion in their (now diluted) alcohol bath.
In the paper you sight (and a good link I might add) , which I did skim, it talks of the alcohol/ether bath (the closest to what we are talking about)
"This means that when the ether evaporates, the surface tension forces are so low that there is no appreciable collapse of the weakened cell wall."
In their case, they use ether which evaporates extremely fast and they use successively stronger solutions, and build up to a level where (after alcohol and then acetone) the ether is holding up the cellular wall and the tension in the wall is low. While impractical in most woodturning situations, because of toxicity, it does lend some credence to the alcohol theories.
Remember that they are talking about preserving wooden artifacts. In their case (TAMU) it is wood that most likely has already been dried and through environmental conditions (shipwrecks, terra burials) now needs to come back to an equilibrium moisture content with minimal damage. (granted all of my verbiage is purely based on hearsay)(no, really).
And, for what it is worth, I do learn so much from these spirited conversations, now if I could only increase my retention....
In the paper you sight (and a good link I might add) , which I did skim, it talks of the alcohol/ether bath (the closest to what we are talking about)
"This means that when the ether evaporates, the surface tension forces are so low that there is no appreciable collapse of the weakened cell wall."
In their case, they use ether which evaporates extremely fast and they use successively stronger solutions, and build up to a level where (after alcohol and then acetone) the ether is holding up the cellular wall and the tension in the wall is low. While impractical in most woodturning situations, because of toxicity, it does lend some credence to the alcohol theories.
Remember that they are talking about preserving wooden artifacts. In their case (TAMU) it is wood that most likely has already been dried and through environmental conditions (shipwrecks, terra burials) now needs to come back to an equilibrium moisture content with minimal damage. (granted all of my verbiage is purely based on hearsay)(no, really).
And, for what it is worth, I do learn so much from these spirited conversations, now if I could only increase my retention....