jwavem said:
About thirty days ago I turned a natural edge bowl 7 1/4 X 4 1/2 X 1/4 from green Sycamore. I produced nice clean shavings both inside and outside. I let it dry in a paper bag for thirty days and now I'm trying to finish sand it. Now for my problem - There are tiny pits both inside and outside, these are worst where the end grain meets the side grain. They are imposible to sand out. No matter what grit paper I use it seems to continue tearing in these areas. There are lines perpendicular to the grain in this wood which appear to be natural. These lines are most predominant in the problem areas. What's wrong?
Disclaimer - I've never turned sycamore, either the American or the maple they call Sycamore over in GB.
It sounds to me as if you are describing the prominent ray figure in sycamore. That's what those lines perpendicular to the annual rings are. The rays run radially (doh!) from center and help transport water and nutrients across the tree. They are also a built-in cleavage plane waiting for an opportunity to split.
The heat produced by sanding will open up "pits" at these weak points. The good news is, if you dampen them or let them equalize, they'll probably close and none the wiser, because the ray figure is right there to mask it. The piece will be weaker, so hopefully it's a looker not a user, where it might not survive a drop.
Woods like beech, which is a beech to gain cooperation from, red oak, and others with prominent ray figure are more or less prone to this. I've done some textured pieces by letting the sanded piece dry, and simply scrubbing with a terrain-following plastic pad for slick. The piece is full of ripples, including the areas around the rays.
I suspect the reason the end grain is "darker" on your bowl is because it's filled with water. That's the way the tree is built - to send water along the grain. Spinning helps move it pretty well. Then there is the natural difference between reflection off an area with more spaces than places, where the light can get trapped in those pores. Standard woodworking trick is to sand end grain a grit or so higher, to burnish and close it a bit so it won't take up its larger proportion of finish, looking more the shade of the face grain.
NB- Crepe blocks are about useless for for cleaning 2-3" discs, so I'd recommend a brass-bristled brush sold over in the plumbing department as a "flux" brush for them. Used with just enough force to remove the crud, it's almost as easy on the grit itself as the crepe.