I was really pleased with the big screen and video work in general at the Louisville symposium. Having said that, it could be better. But more professional videographers will add a lot of cost, as will better equipment.
It's very difficult to have a intimate and more personal demo with the attendance in the 2000 range. There are books and video demos that do a great job of teaching technique. The local chapter experience is also better suited to close personal demos. I for one, would like to see less emphisis on demos and more on accomplished artists discussing their work, and what inspired it. Clay Foster's program on human forms in art was outstanding. Jacque Visery's critique of his own work as well as others was insightful and inspiring. The national symposium is the only place that can happen.
If a better video presentation is desired in the future, the demonstrator will need to think more about how their message comes accross on screen. We blame the guy with the camera, but it's really the presenter who is the problem. Unless the camera man knows what will be happening, it is a real challenge to have the camera in the right place at the right time. When they make a TV show they don't just have people show up and hope it works out. It takes planning. The AAW demonstrator selection process is also in need of review as it has no way of judging how the proposals will be exicuted.
I don't mean any of this as a critisisum. My wife and I though the Louisville experience was fantastic, and everyone involved deserves high praise.
The AAW has reached a cross road in its development. Size and scale brings change, and future presentations will look different. As membership continues to grow, the criteria for demonstrating will require more emphisis on communication skills and technology. Pre-recorded demos with live Q&A will greatly improve the communication and accomodate a greater audience. That's right boys, we're going Hollywood!
It's very difficult to have a intimate and more personal demo with the attendance in the 2000 range. There are books and video demos that do a great job of teaching technique. The local chapter experience is also better suited to close personal demos. I for one, would like to see less emphisis on demos and more on accomplished artists discussing their work, and what inspired it. Clay Foster's program on human forms in art was outstanding. Jacque Visery's critique of his own work as well as others was insightful and inspiring. The national symposium is the only place that can happen.
If a better video presentation is desired in the future, the demonstrator will need to think more about how their message comes accross on screen. We blame the guy with the camera, but it's really the presenter who is the problem. Unless the camera man knows what will be happening, it is a real challenge to have the camera in the right place at the right time. When they make a TV show they don't just have people show up and hope it works out. It takes planning. The AAW demonstrator selection process is also in need of review as it has no way of judging how the proposals will be exicuted.
I don't mean any of this as a critisisum. My wife and I though the Louisville experience was fantastic, and everyone involved deserves high praise.
The AAW has reached a cross road in its development. Size and scale brings change, and future presentations will look different. As membership continues to grow, the criteria for demonstrating will require more emphisis on communication skills and technology. Pre-recorded demos with live Q&A will greatly improve the communication and accomodate a greater audience. That's right boys, we're going Hollywood!