Hi Guys:
Brent from Robust here. ... So Ed, for your personal turning style, is getting close in all applications more important than being able to drop the tool handle to do different cuts? ... Brent
Hi Brent - Not having the the banjo stick out further than the toolrest is more important than tool angle to me, but maybe not for the reasons you may be thinking.
Yesterday I was working on a natural edge bowl. Repositioned the banjo / rest and made sure the bowl would clear the rest. Gave it a spin by hand before turning on as I usually do. Everything cleared the comfort rest just fine, but the high point of the rim clunked into the banjo just enough to rip off a couple chunks of bark (doh!!). I need to change my habits with the Comfort rest on the PM3520. I need to make sure I keep the rest an adequate distance from the work and and take it easy when doing the final check for clearance before turning on. Old habits die hard, but they can be changed. It's a source of occasional frustration with the Comfort rest, but not a fatal flaw.
With respect to dropping the tool handle. There are times I want (need) to do that, but it's not without it's problems on the PM3520. If you drop the handle enough on the PM3520 to do a good sheer cut with the wing of a bowl gouge for example, I find too many times I have to dance around the tool post locking handle and the banjo locking handle. That's true with the PM rest as well as the Comfort rest. As John Lucas has noted, you also have the knuckle in the center of the PM rest to contend with. In addition, when the tool handle is held really low, you are actually riding on the back of the PM rest (which is of course further from the work). So when you take that into consideration your tool ends up about the same distance from the work with about the same amount extended with either the PM or Robust rest. As a matter of fact, you are probably a little closer to the work with the Comfort rest with the handle really low. And the top of the Comfort rest is a much better work surface than the back of the PM rest. Advantage Comfort rest. But dancing around the obstacles on the PM banjo is a hassle so I only drop the handle when I absolutely have to.
I like to use the long side wing of a detail gouge for a lot of finishing cuts now, particularly with punky wood. I don't have to drop the tool handle so this saves me having to work around the banjo obstacles and gives me results as good as what I was getting with the cuts where I had to drop that handle really low. The only thing is that the tool rest needs to be really close to the work. Even an extra 0.25 - 0.375 extension because of tool rest distance from the work really reduces the utility of this technique.
In summary. I don't have any special problem using the Comfort rest with the handle held low and it's actually better (as you intended) in that mode than the PM rest. But not being able to get right up to the work means I can't use the Comfort rest for some cuts I have come to rely on, that don't involve the handle held low. It also requires me to change habits (with respect to quickly repositioning the tool rest) that have been standard routine for me for years. That's hard.
So, for me, not having any part of the banjo stick out more than the tool rest is more important than being able to drop the tool handle low.
It wouldn't take a big change to make the Comfort rest perfect for me on my PM3520. Angling just slightly or moving the post back a tiny bit (3/8"?) so that the banjo didn't stick out would do it.
By the way, I'm using the 12" comfort rest. I assume they are all the same, but in case they are not, now you know.
One other thought on the comfort rest while we are at it. The inner surface of the rest is kind of rough (like you find on some castings right out of the mold). Using an underhand grip and rubbing the rest for control starts to wear out the back of my hand / figner after a while. I've resisted sanding / filing / grinding it smooth because I didn't want to screw up the paint job. So I find myself using an overhand grip more. I'll probably eventually just bite the bullet and get rid of the roughness. Maybe you could check the interior portion of the rest for smoothness as you make them and get rid of any rough spots before painting. Just a thought.
And before any of you start giving me grief about being a wimp
😀, the palms of my hands are plenty tough from years of hard work. But I never did anything that toughened up the backs of my hand / fingers.
Thanks for you interest Brent,
Ed