I was somewhat critical of the cover photo choice for the Winter Issue (the lump of chainsawed charcoal), but that issue arrived without a scratch on it. Every page was crisp and flat and the spine was perfect. As though it had never been opened before it got to me.
The Spring Issue arrived today. I know from Ed Davidson's post that it was supposed to have a picture of a fantastic piece by Hans Weissflog on the cover. Unfortunately, someone in the postal system must have decided to keep the picture as a souvenier (most of the cover was missing). The issue also looks like it has been thumbed through and read extensively before it got to me. Dog eared pages, torn pages, pages with smudges, one of the spine staples missing. There are no tire tracks on it, but I'm sure that was an innocent oversight.
I can see now that I failed to appreciate the genius behind the Winter cover photo selection. Put a picture of chainsawed wood on the cover and nobody in the postal service bothers to open it and it arrives in mint condition. Put a picture of a real work of turned art on the cover and it arrives in tatters and all worn out.
Intereingly enough, I had two other woodworking magazines arrive today in their poly bags. They were in mint condition (as usual). Hmmmmmm............
Ed
The Spring Issue arrived today. I know from Ed Davidson's post that it was supposed to have a picture of a fantastic piece by Hans Weissflog on the cover. Unfortunately, someone in the postal system must have decided to keep the picture as a souvenier (most of the cover was missing). The issue also looks like it has been thumbed through and read extensively before it got to me. Dog eared pages, torn pages, pages with smudges, one of the spine staples missing. There are no tire tracks on it, but I'm sure that was an innocent oversight.
I can see now that I failed to appreciate the genius behind the Winter cover photo selection. Put a picture of chainsawed wood on the cover and nobody in the postal service bothers to open it and it arrives in mint condition. Put a picture of a real work of turned art on the cover and it arrives in tatters and all worn out.
Intereingly enough, I had two other woodworking magazines arrive today in their poly bags. They were in mint condition (as usual). Hmmmmmm............
Ed