Learning the Pro-forme hollower
Thanks very much for all of your advice. I have been using it all and it is going much better though there still are some times when I cannot understand why no cutting is going on. I am keeping as dead center, vertically, as possible and I think that is helping. I have polished the bronze guide up after getting rid of the tiny lip on the bottom. I have it attached to a 3/4" bronze pipe and only about 6" of the original bar that it came with. I find that to be pretty marginal in terms of heftiness. There is alot of vibration using this tool that I do not feel in other tools. As mentioned it is used primarily in a Jamieson type D captured rig. What I am finding to be the greatest help in getting it to cut when it is misbehaving for no obvious, to me, reason, is to move the cutter forward and backward. Often times if it is not cutting I can get it to cut, judging by the sound it is making because I normally cannot see it, by moving it horizontally back and forth pushing towards the head and then pulling towards the foot which is not very hard to do with the Jamieson rig. Sometimes it also helps to put more pressure on the cutter against the wood but I prefer not to do that becasue if it starts cutting while I am doing that it is way too easy to cut more than I want. I have also tried moving the cutter and guide clockwise starting from 6 o'clock up very slowly and have not noticed that helping it start cutting. What is unusual to me about this cutter is that it does not seem to matter if you see shavings stuffed up between the cutter and the guide. It seems that there are always shavings rammed in there and it will still (most of the time) cut. So the design seems to lend itself to cutting, exhausting wood waste, regardless of appearing to be completely jammed up. Sometimes it will stop cutting for no apparent reason and then I will either clean or even completely remove the brass head and it will still not cut. Very strange.
I am left wondering if the 'stringy-ness' of the particular wood I am working on has much to do with this cut/no cut issue. Have any of you seen great differences in this area between different kinds of wood? The wood I have been working with is what I would classify as relatively soft maple. I have just started working with some harder maple and it seems to be doing better.
Thanks very much,
Jim Lee