Anyone using HVLP (turbine driven, not a compressor conversion) for applying finishes to turnings? I've been doing some research just in case I win the lotto or something and the more I research the more confused I become.
2 Stage, 3 Stage, 4 Stage??? I think I understand that more stages means higher air volumes (and generally higher fluid volumes), but how much do you really need? This would be exclusively for finishing turnings in a non-production environment. There is zero possibility that I will ever attempt to paint my house with the thing. I really want a super high quality finish and imagine that I would mostly be using lacquer, but occassionally oil / water based poly.
Bleeder or Non-Bleeder. This one really has me confused???????????????
Gravity feed vs pressure pot / cup. Why would you ever want to use gravity feed? I've been playing around with a cheap (I stress CHEAP) Horrible Freight gravity feed HVLP spray gun that works off my shop compressor. It does ok, but just ok (well, maybe a notch below OK).
What kid of spray pattern works best on turnings (things like bowls and vases) and how important is it to be able to vary the spray pattern while working on a piece?
I've got more questions, but I'll stop now and see what kind of a discussion develops.
Ed
2 Stage, 3 Stage, 4 Stage??? I think I understand that more stages means higher air volumes (and generally higher fluid volumes), but how much do you really need? This would be exclusively for finishing turnings in a non-production environment. There is zero possibility that I will ever attempt to paint my house with the thing. I really want a super high quality finish and imagine that I would mostly be using lacquer, but occassionally oil / water based poly.
Bleeder or Non-Bleeder. This one really has me confused???????????????
Gravity feed vs pressure pot / cup. Why would you ever want to use gravity feed? I've been playing around with a cheap (I stress CHEAP) Horrible Freight gravity feed HVLP spray gun that works off my shop compressor. It does ok, but just ok (well, maybe a notch below OK).
What kid of spray pattern works best on turnings (things like bowls and vases) and how important is it to be able to vary the spray pattern while working on a piece?
I've got more questions, but I'll stop now and see what kind of a discussion develops.
Ed