Take a step back and think about what sort of turning projects you really want to do. Do you want to turn wood or plastic composites? Working with wood has a learning curve, especially in regard to using and drying green wood. There is a lot of information available on this forum and elsewhere on this subject because it is a (not insurmountable) challenge for every woodturner using wet wood, meaning most of us. If you want to make objects more than about 4" in diameter without laminating or segmenting timber you need to understand how to dry pieces without problems- it is done all the time and it is not rocket surgery. Plastic resins do not repeal the fundamentals of wood movement.
I mostly work with wet timber directly from the forests around me. Probably half of the time I turn once from green to finish. Doing this successfully requires turning thin, even thickness walls, either quickly or by keeping the work wet between sessions and slowing down the initial drying. When I twice turn pieces I rough them out with even walls thick enough to allow for warpage after drying. I usually seal the end grain and put the roughouts in paper bags or cardboard boxes to slowly dry out in a moderate temperature and humidity without much air movement. I am not in a hurry, but those who are use various types of kilns to speed up the process using the same principle of controlled drying.
I always seal the ends of logs and turning blanks as soon as I crosscut them to prevent the start of checking. Blanks should be turned soon after blocking out to minimize problems Once checks are started they are likely to propagate so I try to stay ahead of the curve. I keep my wet stock outside in the shade under a tarp or in a woodshed.
If you are serious about epoxy resin projects you need to start with dry wood. Epoxy and wet wood will inevitably part ways.