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fun times at the symposium

john lucas

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with all this negative talk I thought I would discuss how much fun I had at the symposium. First and foremost I met people from several different forums and had a good time talking to them. It was especially nice when I saw the pieces in the instant gallery and recognized my friends from the forums.
I saw some fascinating pieces in the instant gallery. There were some incredibly clean beautiful bowls and hollow forms with spectacular wood. I know we all appreciate that. I also some really experimental forms some of which didn't look turned at all but I met the artist on 2 of them and found out that they had a lot more turning than I thought. If you saw Jerry Bennett's bass fiddle you know one of the pieces. If you didn't see it imagine how Walt Disney would design a base fiddle for Fantasia and you'll be close. There were 7000 pieces in the strings of that fiddle, all turned cut a reassembled.
There simply isn't enough time to spend in the vendor area. Oops maybe spend wasn't a good word to use because I haven't gotten my credit card bill. I got to see some of the ornamental machines. One was an add on for the Jet mini that was pretty cool. New lathes, wow there were several monsters there including a host of the current state of the art machines, Robust, Serious Lathe, Oneway, Stubby, Vicmarc, Powermatic, etc.
If you like tools you had a wide range including several of the newer tools on the market plus demonstrations by people such as Jimmy Clewes, Stewart Batty,Johannes Michelson, Lyle Jamieson and others. Those were all on the vendor floor.
You could have spent your kids inheritance on the wood vendors. As always there are spectacular burls available as well as just about every color of wood imagineable.
The demo's I attended were good with an excellent job done by the video people. It could always be done better but remember how it was in the past and we've come a long way, especially when you consider they are all volunteers. The sound and lights were sometimes a problem but those were furnished by the convention center and it was hard to work around. Still the demonstrators did a wonderful job and learned something at them all.
 
Don't think there is anything under the sun that could keep me from Albuquerque.

Travel Cost?

I suspect there are fewer "big" National meetings in my future and more local/regional ones. The air-fare (1 year out), for cheap seats is $500.

That's a lot of wood/tools/toys
 
John, I had a blast at the symposium as well. I spent most of my time just talking to people on the vendor floor, and some time in the instant gallery. I made it to one rotation, and I fell asleep. The info I wanted was there, but it was as dry as the desert sand. For this symposium I did not spend the money to go to the rubber chicken dinner or stay at one of the expensive hotels. The money I saved on the hotel paid my registration fee. I think at the next one I attend, I might skip registration altogether since the places I hang out are open to the public anyway. I spent a bunch of money, talked to more people than I can remember, and got to meet a whole bunch of folks with whom I correspond on line. Some were previous acquaintances, and some were new face to face encounters.

I was also active politically, although not at the symposium itself. VA allows for the open bearing of arms, so I openly bore my sidearm at events after the symposium at various spots around Richmond. Everyone in my group was fine with that (at least to my face) and no one got shot, even when we had awful service at the Capitol Alehouse. 😀 I did get some good natured ribbing from some fellow Pennsylvanians - my own club no less! From some of the comments I heard and read about some of the venues surrounding the symposium, I think a few other people wished they were armed too. But then again, maybe some of them were. 😉
 
, even when we had awful service at the Capitol Alehouse. 😀

We sat at the bar twice and got good service. In a booth, not as good, but the staff was pleasant and knowledgeable.

It was an interesting city though, full of good parts and bad. Walked everywhere, so I got some exercise.

I never get to see demos, selling products and looking at new toys in the vendor area. It was good to see you all. Had a good time and will likely drive to Albequerque.

Went to DC for a few days following that and met Frank from Captial Woodturners touring Terry Martin and Betty Scarpino through the Renwick Gallery.

Fun times, no regrets, except not buying some of the lovely (and relatively inexpensive) Rosewood Burl before the good sizes were all snapped up.

We have a bunch of IG and vendor floor pictures on the WWW.TURNINGWOOD.COM website and many more to come.
 
Steve, the food was good, and the staff very friendly. I should have been specific. It took them almost 90 minutes to fry up some hamburgers. But it gave us lots of time to tell stories, and even get to know some of the locals!
 
It wouldn't be this piece of wood. I think I left drool marks on it.
 

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There was an awful lot of good work on the table but this piece by Jerry Bennet just blew me away. This is his version of a String Bass having a good time. If I remember correctly the strings were turned using 7000 pieces of wood with 700 different turnings. They were assembled from these groups. Up close the joinery was so perfect you almost couldn't see it.
 

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What can I say about these. John Jordan just knows how to use the wood to it's best. I've always loved his cherry pieces and the one on the right really is incredible. If you like natural wood turnings it's awfully hard to beat these.
 

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John,
Thanks for that picture! Words fail me. In addition to the overwhelming visual impact of Jerry's piece, one can imagine some unbelievably skilled clamping and gluing. Makes my little ribbons look like child's play.
 
As I said there were 1000 pieces in the instant gallery. I've only posted some of them. These are just a few more that really caught my eye. Malcolm Ray's platter I just fell in love with. It is just really clean and the pyrography was very clean and original. Eli Avisera is rapidly becoming one of my favorites. You have to get close to this bowl to really appreciate the accuracy of the details.
 

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Holy crap!

There was an awful lot of good work on the table but this piece by Jerry Bennet just blew me away. This is his version of a String Bass having a good time. If I remember correctly the strings were turned using 7000 pieces of wood with 700 different turnings. They were assembled from these groups. Up close the joinery was so perfect you almost couldn't see it.

My God, that is the most amazing thing I've ever seen. That was turned?!?!? Where was this beauty? I missed quite a bit of the Instant Gallery, still kicking myself.
 
Truffel It was way over on the right side all by itself. It's a floor piece. I walked by it at first but then when I did see it I was blown away. I thought it was completely carved but then overhead Jerry talking to another person about it. What really blew me away was when he was packing it up. Each string is held in place by allen screws from the end. I masterful piece of engineering.
 
I had such a good time I could not begin to tell you all the ways I enjoyed myself.

It started at registration and after that I went to the IG to deposit my pieces. At the IG I ran into some N.C. buddies and we had a lot of fun talking.

From there I went to the reception at Gallery 5 for the Turned for Use II exhibit and met so many people who I knew by their names and posts but am able to associate a face and a handshake with now. I had a delicious dinner at Comfort restaurant with friends although I must admit I was looking over my shoulder as we walked the street going and coming. I highly recommend the banana pudding creme brulee'. It was absolutely divine and low calorie😉.

On Friday night I cohosted the Box SIN and met many people and learned a lot about boxes from the assembled panelists. We had a nice crowd with standing room only for most of the time and had about 100 boxes from various turners on display.

I went to as many rotations as I had planned on attending seeing Eli Avisera, Benoit Averly, Richard Raffan, Mark St. Leger all box turners. I enjoyed that thoroughly.

I watched Nick Cook, Cindy Drozda, Jimmy Clewes, Mike Mahoney, Stuart Mortimer, Johannes Michelson, and Soren Berger do demonstrations in the vendor area. I bought wood, sandpaper, tools and accessories......and a lathe. I ran into many old friends in the vendor area and made some new ones.

I saw the Spheres exhibit which was incredible and inspiring. I examined hundreds of pieces in the IG and in the auction display. I took lots of pictures for inspiration and to share with my wife.

I attended the banquet and auction and enjoyed the food which I thought was quite good. The service was remarkable considering the number of people. The company at my table was great. And finally I met John Lucas the author of this thread at dinner on Saturday night after searching for him for days. John, it was like a "Where's Waldo" bit trying to locate you.

I have no complaints. Every evening I drove to my BIL's house and collapsed having exhausted myself having a good time. I had a wonderful time and I am ready to go again. Hats off to the AAW for putting on a really good show.
 
Mike you should have seen me trying to find you and Jamie. I walked almost the entire room. I think I looked like one of the waiters, if only I had worn black pants and a white shirt.
My only regret was that I simply ran out of time to meet people.
 
What can I say about these. John Jordan just knows how to use the wood to it's best. I've always loved his cherry pieces and the one on the right really is incredible. If you like natural wood turnings it's awfully hard to beat these.

Thanks a lot, John.🙂 In the new world order, they may not be allowed since the turning only takes a couple of hours, but the carving takes 20, so I'm not sure they qualify.🙄

It was a good time, and seeing old friends and meeting new ones is the best part.

John
 
This was our first meeting, I can only say we had a great time . At all the places we went it was outstanding.{in a field} We had dinner a few times with Bill G a fine gentleman . I was a little suprised how friendly all the big names in woodturning are to the mortals.

My wife also attended not a turner and she also had a very nice time .
All in all a great time!!! George
 
There was an awful lot of good work on the table but this piece by Jerry Bennet just blew me away. This is his version of a String Bass having a good time. If I remember correctly the strings were turned using 7000 pieces of wood with 700 different turnings. They were assembled from these groups. Up close the joinery was so perfect you almost couldn't see it.

John, I mentioned in another thread how much I enjoyed the whole experience. The piece mentioned in the above quote was nearly overpowering. I realized if I lived and turned another100 yrs. I couldn't match it for its complexity or creative ability. The instant gallery is the perfect place to get a grip on where you are and where you would like to go.🙂
 
Jake I always tell everyone if you start getting cocky about your work just go to the National symposium. You will be pulled back down to earth. I purposely went to look at work by some of the people I admire and see where mine stands in relation to theirs. The difference is in the details. The finish, or the air brushing or the carving is just a step higher. Not a big step necessarily but it's there. It tells you what you need to work on if you want your work to go there.
If you go to several of them over the years you get to see your friends work improve by making these little steps. It's exciting.
 
Great Experience

Richmond was a great learning experience. I find that even though I think I know a lot about a topic, I always learn something new at each demonstration. Sometimes it a simple jig. Sometimes it's a new turning technique. But it's always something. Looking forward to Albuquerque. - John
 
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