Charlie, I took another look, and realized that's a madrone piece, and the cracks would have been there early on, but you are right-it does affect the feel of the piece. He likes the madrone burl a lot for that reason, and has used a lot of it. He no longer has a source for the large pieces he needs.
John is right-the wood moved before. That's older work, and its more than 90% turned more or less. Some of the work from this period had as many as 30 axis, and most of the centers/holding points are turned away during the next steps. Very complex thinking. I've watched him work a lot for nearly thirty years, and it still amazes me how far ahead he can visualize what he is doing.
I suspect Betty asked for the mostly turned work to fit the multi-axis theme of the journal. These days he does more off the lathe work, but has also been turning some large scale tall pieces, and most pieces incorporate metal.
He just installed a nice pair of bronzes about 10 feet tall at Robyn's, I'll post a picture when I get to the other computer.
Here's a link to some of his work at del Mano from last year.
http://delmano.com/artists/wood/sLamar/portfolio01.htm
Stoney, Robyn, myself, along with 15 or so more wood/metal people will be spending a week making stuff at Penland in Feb.
🙂
John