Player piano vacuum mechanisms, and rebuilding
The part about "bellows compressed against the springs" is where you lost me. Springs compressing a vacuum? If it is really a vacuum then the springs and bellows should be pulling apart.
Yes, the sides of the bellows are pushed apart, could be worded better. The springs are internal so the sides of the bellows are pushed against the springs, compressing them. I hope this is not too off-topic. (A lathe would have in fact been handy for the rebuild.)
The large bellows is made from two rigid boards, one fixed to the piano and one attached with hinges that moves freely. Flexible bellows cloth is glued around the two boards to make a sealed chamber. A hose from the foot operated pump bellows reduces the pressure in the reservoir bellows. A second hose leads from the reservoir up to the piano movement.
There are strong leaf-type springs inside the reservoir bellows, arranged to hold the bellows open when at rest. Reduced pressure in the input tube acts to reduce the pressure in the reservoir bellows, "sucks" the two boards together, and compresses the springs. Continuous pumping tends to hold the reservoir bellows about half-way closed. If the operator slows pumping for a moment, the force of the springs works to spread the two halves of the bellows apart as needed to keep the air pressure (vacuum supply) constant as controlled by a regulator.
Below is more player piano mechanism info, in case you are interested or if anyone else wants to take on a fascinating wood-related project...
The engineering of the player piano is incredible, especially considering it was developed in the late 1800s. (we think we are clever) There is a vacuum motor made of 5 bellows, valves, and crank, a regulator bellows to keep the speed constant as set by a user-operated lever, and 66 fast-acting striker bellows, one for each note, each controlled by a double-action valve made from leather and wood. The striker bellows activate the mechanism that strikes the string with the hammer.
The paper drawn through the mechanism has a hole for each note to be played. When the hole passes it's designated orifice the air pressure in a tube leading to the corresponding note is momentarily increased, triggering the sensitive side of the double-action valve which then sucks air from the striker bellows and activates the hammer. This entire mechanism is so fast the note can be triggered repeatedly several multiple times a second.
But most amazing thing to me is the system that keeps the paper roll perfectly aligned with the row of holes so the right note will be played. This mechanism uses paper-edge sensors to move the entire paper carriage left and right in real time as needed, even compensating for expansion and contraction of the paper due to humidity! It uses a two staggered air pressure sensor orifices on each side along with a set of valves that trigger an adjustment bellows which provides the force to move the paper roll carriage horizontally exactly the amount needed. A lever allows the operator to shift the carriage incrementally to play a song in a different key.
This is a reliable working hybrid digital/analog pneumatic playback system with inexpensive mass-produced digitally recorded data storage media designed and engineered in the 1800s! Amazing! The piano I had was built in the 1930s.
The bellows on mine were so leaky that it took Superman to pump fast enough to make it play. I rebuilt all the bellows (thank the original builders for using hide glue), replaced all the lead tubing with rubber, made necessary repairs and adjustments, lubricated (with graphite powder), replaced all the felts and piano hammers, and restrung the bass strings. I was fortunate to find a player piano restorer kind enough to spend an entire afternoon in his shop explaining many things and providing experienced advice. He told me things such as how to get each of the 66 striker bellows off the wooden vacuum manifold, how to adjust the valves, tune up the motor, etc. He also strongly suggested put everything back together with hide glue again to be kind to the next guy who might rebuild it 40 years from then.
🙂
It took me about a month to rebuild the piano, working at least 4-6 hours every day and weekends. When I was finished, it was so tight I could literally play a roll by working one foot pedal with my thumb!
Ok, there you have it. BTW, I did this rebuild in the 70s. I may have forgotten a detail somewhere.
JKJ