• November Turning Challenge: Puahala Calabash! (click here for details)
  • Congratulations to Paul May for "Staircase Study #1" being selected as Turning of the Week for November 11, 2024 (click here for details)
  • Welcome new registering member. Your username must be your real First and Last name (for example: John Doe). "Screen names" and "handles" are not allowed and your registration will be deleted if you don't use your real name. Also, do not use all caps nor all lower case.
Beaded Vase
THE SUN & THE MAN IN THE MOON
THE SUN & THE MAN IN THE MOON
Beaded vase - top view
Beaded Vase
Open the pod bay door Hal
Blackwood Box Lid Detail
African Blackwood Box
Jim Marx

Beaded Vase

Beaded vase, approx 9" tall x 8.5" dia. Segmented hard maple.
Click to expand...
  • Like
  • Love
Reactions: Jean-Louis Meynier, Christine Smith, Ed Davidson and 23 others
Jim Marx
Robert Lindstadt said:
Love this wondering how you accomplished this ?
Click to expand...
Robert Lindstat....There was a lot of trial and error in the design process. I imported a Polar graph pdf into Photoshop, designed the pattern and color scheme.

After completing the segmented vase, I used a D-Way 3/16” beading tool. In previous attempts at this pattern, I found that each segment’s woodgrain absorbed the ink differently and made it look ‘splotchy’. So, once I created the beads, I then coated the vase with primer paint, and burned the valleys with a wire.

Since my pattern required 156 squares per rotation, I made a custom index wheel by printing the polar graph and mounting it to a disk. I made a platform for the PJL Optima 3/16” burning tool (flat version) and burned the squares.

I used Artist Loft and Faber Castell Pitt Pens, let it dry for a few days and then gave it a couple of coats of Krylon UV Archival Varnish spray.
Hope that helps, but if you would like more info, just let me know!
 
R
Jim Marx said:
Robert Lindstat....There was a lot of trial and error in the design process. I imported a Polar graph pdf into Photoshop, designed the pattern and color scheme.

After completing the segmented vase, I used a D-Way 3/16” beading tool. In previous attempts at this pattern, I found that each segment’s woodgrain absorbed the ink differently and made it look ‘splotchy’. So, once I created the beads, I then coated the vase with primer paint, and burned the valleys with a wire.

Since my pattern required 156 squares per rotation, I made a custom index wheel by printing the polar graph and mounting it to a disk. I made a platform for the PJL Optima 3/16” burning tool (flat version) and burned the squares.

I used Artist Loft and Faber Castell Pitt Pens, let it dry for a few days and then gave it a couple of coats of Krylon UV Archival Varnish spray.
Hope that helps, but if you would like more info, just let me know!
Click to expand...
You must have a lot of patience
 

Media information

Category
Member Galleries
Added by
Jim Marx
Date added
View count
764
Comment count
8
Rating
0.00 star(s) 0 ratings

Image metadata

Filename
grey basket illusion 156 9x8.5 side view sized for IG.jpg
File size
637.8 KB
Date taken
Sun, 09 June 2024 2:15 PM
Dimensions
1080px x 1080px

Share this media

Back
Top