These foundlings offer many shades of grey to each other across the space between them. An observer can easily rotate each individual, changing the profiles both of that space and of the individuals, thus changing the shades of grey, a la menage a trois.
The individual multiaxis pieces are finished with black gesso, which has a velvety flatness that far exceeds any other normal matte or flat finish I have found. They are mounted on suede-clad lazy-susans embedded in the base so they can be rotated, with finesse.
All the lighting is very indirect and is an important part of the appearance of this couple. These images have had what little colour appears in the digital photos suppressed, and the contrast made uniform.
Playing with this seems irresistible. Critiques, reactions, suggestions, always welcome.
